Press | 15.01.2024

News ES Euro review about Tenerife concert

On January 10 and 11, Pietari Inkinen opened the Canary Islands Music Festival, conducting concerts with the Bergen Philharmonic Orchestra. On the following link, you can read a review by News ES Euro (in Spanish) and here below are some quotes translated to English.

https://news.eseuro.com/local/2946507.html

“Musical youth in power to begin with.
The new musical generations were vindicated last night at the premiere of the 40th edition of the Canary Islands Music Festival at the Alfredo Kraus Auditorium in the capital of Gran Canaria. The youth took center stage thanks to the Russian pianist Alexandra Dovgan, only 16 years old, and the young Finnish conductor Pietari Inkinen, 43 years old, who successfully took the reins of the Bergen Philharmonic Orchestra, which this year has made its debut in the program of this event organized by the Government of the Canary Islands.
While the thermometers in the Norwegian town of Bergen marked two degrees Celsius and the wind chill was two below zero at the time of the concert, the veteran orchestra of that city starred in a warm, virtuoso and emotional concert at the foot of the beach of Las Canteras that was filled with a standing audience and several encores as a gift.
(…)

To begin with, a ‘sweet’ was chosen. Specifically, the ‘Suite No. 1, Peer Gynt’, by the Norwegian Edvard Grieg. Its four movements, with melodies well known among the general public, are a delight and the Bergen ensemble interpreted them with great delicacy and strings that sounded like glory. The audience applauded with a standing ovation the interpretation of this first suite born from the incidental music that Grieg composed for the stage piece of the same title by Ibsen, premiered in Oslo in 1876.
The second piece came from the repertoire of the same composer before the intermission. His ‘Concerto for piano and orchestra in A minor, op. sixteen’, one of the most popular pieces for this instrument in the classical repertoire, which was tackled by one of the prodigies of contemporary music, the very young Alexandra Dovgan, exposed an amazing solvency and technique. This is how the Russian piano factory performs during a performance in which the connection with the orchestra was absolute, as the audience acknowledged with applause at the end that ended with Dovgan giving a brief soloist encore.

Finnish closing
Pietari Inkinen closed the evening with the great composer of his native Finland, Jean Sibelius. Specifically with a refined and at times breathtaking version of the ‘Symphony No. 2 in D major, op. 43’, which lifted from their seats a devoted audience, among which were quite a few young people, even teenagers and some children. It seems that at last the Festival, under the direction of Jorge Perdigón, has begun to connect with the new generations.”

Press | 15.09.2024

Concerti feature about 2024/25 season of DRP

The German magazine Concerti has published an article about the 2024/25 season of the Deutsche Radio Philharmonie. You can read the feature on the following link:

Press | 16.08.2024

Pietari Inkinen shows “his impressive grasp of the big musical picture”

“It is as if Prokofiev is telling his friend Rostropovich “show us what you’ve got” in some passages, and this was a remarkable performance with Gerhardt totally in sync with Finnish conductor Pietari Inkinen, another favourite with Australian audiences, especially after his magnificent survey of Richard Wagner’s Ring Cycle in Melbourne for Opera Australia in 2016. He showed his impressive grasp of the big musical picture in the second half with an outstanding performance of Peter Ilyich Tchaikovsky’s Symphony No. 4, written at the time of his disastrous marriage to Antoninya Milyukova and which shocked his patron Nadezhda von Meck with its “profound, terrifying despair”. The orchestra was in magnificent form, with Inkinen, ever the man for the big moment, shaping the massive first movement, with its dramatic momentum tempered with the delicate brightness of the winds, into a cohesive whole. There were too many fine solo moments throughout the four movements to pick out any for special mention. If the second half began with a fateful blaze of brass the evening also started with a fanfare, a new work by former SSO composer-in-residence Liza Lim as part of the orchestra’s long running project commissioning 50 new Australian works. Salutations to the Shells refers to the Indigenous seashell monuments – some as high as 12m high – that lined the shores and estuaries of Port Jackson and which were burnt and used in the buildings of the Rocks by the early colonists. Over its 10 minutes Lim’s powerful work juxtaposes the brass and snare drums of the military with an oceanic sway and a subtle sense of loss at the destruction of an ancient Indigenous city. Some of the opening passages with horns, trumpets and trombones had a Sibelius-like quality, while sliding figures and the use of two vibraphones and a range of percussion effects all added to the canvas of textures and sounds.” Steve Moffatt, Limelight Magazine

Press | 08.06.2024

Interview with Spanish magazine Scherzo

'Pietari Inkinen: “El panorama musical finlandés sería muy distinto sin la música de Sibelius”'

Press | 11.05.2024

Interview with Saarbrücker Zeitung

In May, Pietari Inkinen gave an interview for Saarbrücker Zeitung about his upcoming final season as Chief Conductor of the Deutsche Radio Philharmonie. You can access the feature online at the following link: