Press | 09.11.2023

Rave reviews for Bayreuth “Ring”

The press responded enthusiastically about Pietari Inkinen’s heavily acclaimed Der Ring des Nibelungen at the Bayreuther Festspiele 2023. See some quotes here below followed by a link to the complete press review.

“… he might be remembered as one of the most inspired conductors who ever undertook the »Ring« in Bayreuth: the fluid combination of sensitive accompaniment and sensationally build up eruptions is gripping and without equal.”
Das Opernglas

“Pietari Inkinen’s Ring conducting is a hit”
Van Magazines

“Inkinen delivers a real masterstroke.”
Heilbronner Stimme

“It is a triumphal procession for Inkinen”
Südwest Presse

“A great triumph.”
SR2 Kultur Radio

“Inkinen propelled scenes forward, giving and receiving from the singers during long narratives. The “Todesverkündigung,” the dreamlike scene in “Die Walküre” in which Brünnhilde appears to Siegmund in a vision,was steadily, hauntingly built. All in all, the orchestra was, as Wagner intended, a character in its own right… .”
The New York Times

“He masters the covered pit not only technically, but also provides beguilingly voluptuous orchestral moments and breathtaking tension”
Stuttgarter Nachrichten

“Above all, however, he succeeds in what every good Wagner conductor must succeed in: to phrase the symphonic autonomy of motivic progressions autonomously, but at the same time to match them to the singers with syllable accuracy”
FAZ

“Conductor Inkinen is able to render instrumental details particularly vivid”
Süddeutsche

“He enjoys celebrating the great symphonic moments such as the Rheinfahrt or the funeral march and knows how to drive the drama forward with vigour.”
Münchner Merkur

“Pietari Inkinen and the festival orchestra offer pure joy”
Online Musik Magazin

Press | 02.07.2025

Press review for all-Strauss concert at Ludwigsburger Schlossfestspiele

"Good communication [with the orchestra] is visible, audible, and tangible..." "... Inkinen conducts with clarity and such vitality that his left hand nearly knocked over one of the microphones. And the orchestra plays with confidence and quality. The introductory leitmotif shifts through a wide variety of colorings in a performance that enmeshes the title character in a gripping tension between closeness and distance. The most convincing moments come in the middle section - a tender love scene in which the orchestra’s winds, above all the solo oboist, shine beautifully." "As always with this composer, the music contains elements of kitsch. You have to either like them or at least accept them. Inkinen ensures they don’t dominate too much, and overall, the Finnish conductor very reliably finds what is essential in Richard Strauss: a good balance between pathos and sobriety, between passion and precision." "... the symphonic interludes from the opera “Intermezzo” are (...) presented to great effect. And “Till Eulenspiegel’s Lustige Streiche“ not only give the concert a convincing conclusion, but reflect back on the opening piece. The contrasts of “Don Juan” are here transformed into grotesquerie and sarcasm, and the jester-hero, being merely a figure and a symbol, celebrates a mischievous resurrection after his execution. Strauss’s magnificent, highly virtuosic orchestration is fully on display. The audience is thrilled... ." Susanne Benda, Stuttgarter Nachrichten / Stuttgarter Zeitung / Böblinger Bote

Press | 22.05.2025

Interview with Il Giorno

In a recent interview with the Italian newpaper Il Giorno, Pietari Inkinen discusses his interpretation of Dvořák’s music and his upcoming performances with the Orchestra I Pomeriggi Musicali at Teatro Dal Verme in Milan. He shares insights into the timeless appeal of Dvořák’s compositions and reflects on the role of music as a bridge between cultures.

Press | 16.05.2025

DRP farewell concerts – interviews with SWR, SR & SZ

Pietari Inkinen was interviewed by SWR and SR Kultur Radio as well as the Saarbrücker Zeitung newspaper on the occasion of his final concerts in the role as Chief Conductor of the Deutsche Radio Philharmonie.

Press | 14.05.2025

Interview with CGTN TV about “Die Walküre” in Beijing

Ahead of the premiere of the new production of Die Walküre at Beijing’s NCPA, Pietari Inkinen spoke with CGTN about the upcoming performances, Wagner’s masterpiece, and collaborating with the NCPA Orchestra.